{"id":3682,"date":"2024-03-13T20:56:18","date_gmt":"2024-03-13T19:56:18","guid":{"rendered":"http:\/\/www.horus.cz\/WProclamatio\/?p=3682"},"modified":"2024-03-21T09:56:28","modified_gmt":"2024-03-21T08:56:28","slug":"pripad-pro-zacinajiciho-kata-4","status":"publish","type":"post","link":"http:\/\/www.horus.cz\/WProclamatio\/pripad-pro-zacinajiciho-kata-4\/","title":{"rendered":"Pavel Jur\u00e1\u010dek: P\u0159\u00edpad pro za\u010d\u00ednaj\u00edc\u00edho kata &#038; diskuse"},"content":{"rendered":"<h4>Pavel Jur\u00e1\u010dek<\/h4>\n<p>Tenhle v\u00fdrazn\u00fd p\u0159edstavitel \u010desk\u00e9 nov\u00e9 vlny 60. let se narodil 2. srpna 1935 v P\u0159\u00edbrami. P\u016fvodn\u011b v letech 1953\u20131956 studoval obory \u017eurnalistika a \u010de\u0161tina na tehdej\u0161\u00ed Filologick\u00e9 fakult\u011b Univerzity Karlovy, d\u00edky sv\u00e9mu boh\u00e9msk\u00e9mu \u017eivotu v\u0161ak byl ze studi\u00ed vylou\u010den.<\/p>\n<p>Roku 1957 byl p\u0159ijat ke studiu dramaturgie na FAMU, kde studoval tenhle obor u profesora Daniela a sou\u010dasn\u011b se ji\u017e pod\u00edlel na n\u011bkter\u00fdch n\u00e1m\u011btech \u010di sc\u00e9n\u00e1\u0159\u00edch v\u010detn\u011b Stropu V\u011bry Chytilov\u00e9. \u00da\u0159edn\u011b v\u0161ak \u0161kolu nedokon\u010dil, nastoupil do Filmov\u00e9ho studia Barrandov, kde v letech 1962 \u2013 1970 p\u016fsobil ve funkci dramaturga.<\/p>\n<p>Nato\u010dil dva samostatn\u00e9 autorsk\u00e9 filmy\u00a0<em>Ka\u017ed\u00fd mlad\u00fd mu\u017e<\/em>\u00a0(1965) a\u00a0<em>P\u0159\u00edpad pro za\u010d\u00ednaj\u00edc\u00edho kata<\/em>\u00a0(1969), napsal sc\u00e9n\u00e1\u0159 v\u011bdecko-fantastick\u00e9ho filmu Jind\u0159icha Pol\u00e1ka\u00a0<em>Ikarie XB1<\/em>\u00a0(1963) a spolupracoval na sc\u00e9n\u00e1\u0159\u00edch spolu s Janem Schmidtem (jejich absolventsk\u00fd film FAMU\u00a0<em>\u010cernob\u00edl\u00e1 Sylva<\/em>\u00a0(1961), kr\u00e1tkometr\u00e1\u017en\u00ed\u00a0<em>Postava k podp\u00edr\u00e1n\u00ed<\/em>\u00a0(1963) a\u00a0<em>Konec srpna v hotelu Ozon<\/em>\u00a0(1966)), s Karlem Zemanem (<em>Bl\u00e1znova kronika<\/em>\u00a0(1964)), s Hynkem Bo\u010danem (<em>Nikdo se nebude sm\u00e1t<\/em>\u00a0(1965)) se Zde\u0148kem Sirov\u00fdm (<em>Hl\u00edda\u010d dynamitu<\/em>\u00a0(1963)), pod\u00edlel se tak\u00e9 na slavn\u00e9m filmov\u00e9m p\u0159edstaven\u00ed\u00a0<em>Kinoautomatu \u2013 \u010dlov\u011bk a jeho d\u016fm<\/em>\u00a0(1966) a na produkci alegorie V\u011bry Chytilov\u00e9\u00a0<em>Ovoce stromu rajsk\u00fdch j\u00edme<\/em>\u00a0(1969), Menzelov\u00fdch trezorov\u00fdch\u00a0<em>Sk\u0159iv\u00e1nk\u016f na niti<\/em>\u00a0a kr\u00e1tce p\u0159ed smrt\u00ed p\u0159isp\u011bl k jejich obnoven\u00e9 premi\u00e9\u0159e (1990).<\/p>\n<p>Na po\u010d\u00e1tku 70. let byl propu\u0161t\u011bn z Barrandova, stal se signat\u00e1\u0159em Charty 77, byl vysl\u00fdch\u00e1n St\u00e1tn\u00ed bezpe\u010dnost\u00ed a nakonec donucen k odchodu za prac\u00ed do Z\u00e1padn\u00edho N\u011bmecka (1977\u20131983). Bohu\u017eel se ale ani tam ani po n\u00e1vratu dom\u016f ke sv\u00e9 d\u0159\u00edv\u011bj\u0161\u00ed profesi nedostal. Zem\u0159el 20. kv\u011btna 1989 v Praze. Roku 2003 vydal kni\u017en\u011b N\u00e1rodn\u00ed filmov\u00fd archiv\u00a0<em><a href=\"http:\/\/feuerteufel.blog.cz\/1011\/pavel-juracek-denik-1959-1974-vypisky-4\" target=\"_blank\" rel=\"noopener\">Den\u00edky Pavla Jur\u00e1\u010dka z let 1959-1974<\/a><\/em>\u00a0(1078 stran).<\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<h4>P\u0159\u00edpad pro za\u010d\u00ednaj\u00edc\u00edho kata<\/h4>\n<p>Nen\u00ed to v\u017edy jasn\u011b vymezen\u00e1 hranice, za n\u00ed\u017e ost\u0159e \u010dernob\u00edle za\u010d\u00edn\u00e1 n\u00e1\u0161 metafyzick\u00fd sv\u011bt. N\u011bkdy je \u010dlov\u011bku do cesty postavena z\u00e1vora nebo z\u00e1kaz vjezdu, jako Lemuelu Gulliverovi, hrdinovi filmu\u00a0<em>P\u0159\u00edpad pro za\u010d\u00ednaj\u00edc\u00edho kata,<\/em><a href=\"#_ftn1\" name=\"_ftnref1\">[1]<\/a> na sam\u00e9m po\u010d\u00e1tku snov\u00e9ho p\u0159\u00edb\u011bhu, za n\u00ed\u017e se pak u\u017e d\u011bj\u00ed jenom podivn\u00e9 surrealistick\u00e9 sc\u00e9ny: nik\u00fdm ne\u0159\u00edzen\u00e9 a p\u0159esto sebejist\u011b se pohybuj\u00edc\u00ed auto po silnici po pr\u016fjezdu tunelem (za n\u00edm\u017e se na konci filmu dr\u017e\u00ed hl\u00eddka, aby snad n\u011bkdo nepro\u0161el na druhou stranu) nakonec na druh\u00e9 zat\u00e1\u010dce ud\u011bl\u00e1 p\u0159emety ze sk\u00e1ly (konec samovoln\u00e9ho pohybu sv\u00e9vole), a dramatick\u00e1 nehoda auta skon\u010d\u00ed pro Lemuela bez n\u00e1sledk\u016f, kdy\u017e z n\u011bj malou chvilku p\u0159edt\u00edm vysko\u010d\u00ed bez jak\u00e9hokoliv zran\u011bn\u00ed.<\/p>\n<p>Za t\u00edm ji\u017e n\u00e1sleduje prvn\u00ed opravdu snov\u00e1 sc\u00e9na: mrtv\u00fd zaj\u00edc (alespo\u0148 jeden opravdu mrtv\u00fd coby n\u00e1sledek on\u00e9 nehody) na silnici oble\u010den\u00fd do man\u0161estrov\u00fdch kalhot a vesti\u010dky, v n\u00ed\u017e se nach\u00e1zej\u00ed kapesn\u00ed hodinky, kter\u00e9 sebere a uvede s\u00e1m sebe do \u0159et\u011bzce neodvratn\u00fdch ud\u00e1lost\u00ed \u2013 v\u0161e bylo sestrojeno jako past. Bicykl u domu jej zbav\u00ed jak\u00fdchkoliv pochybnost\u00ed (redukce\u00a0<em>auto<\/em>mobilu na dopravn\u00ed prost\u0159edek op\u00edraj\u00edc\u00ed se o vlastn\u00ed s\u00edlu). Z kapsy kab\u00e1tu vylet\u00ed pt\u00e1\u010dek. Nach\u00e1z\u00ed se v\u00a0<em>m\u00edst\u011b<\/em>, kde v\u0161e je prchav\u00e9 (alchymick\u00e9<em>\u00a0solutio<\/em>), efem\u00e9rn\u00ed a nem\u016f\u017ee b\u00fdt fixov\u00e1no.\u00a0<em>Fixatio<\/em>\u00a0je tomuto sv\u011btu bytostn\u011b ciz\u00ed. T\u00e9to povahy je i\u00a0<em>\u0159e\u010d pt\u00e1k\u016f<\/em>.<\/p>\n<p>Podlaha ve sv\u011btnici je najednou z neupevn\u011bn\u00fdch prken, sv\u011bt se mu houpe pod nohama. V\u0161e p\u0159edt\u00edm jist\u00e9 je p\u0159evr\u00e1ceno vzh\u016fru nohama a pod podlahou vid\u00ed skr\u00fdvat se n\u011bjak\u00e9 lidi.<\/p>\n<p>Vstoup\u00ed do domu zbudovan\u00e9ho bl\u00e1znem, recykluje vzpom\u00ednky z d\u011btstv\u00ed, vid\u00ed s\u00e1m sebe plakat a z \u00fast se mu dere p\u0159izn\u00e1n\u00ed:\u00a0<em>\u201eJ\u00e1 se chci probudit a nev\u00edm u\u017e, jak se to d\u011bl\u00e1!\u201c<\/em><\/p>\n<p>Potk\u00e1v\u00e1 b\u00fdval\u00e9 zn\u00e1m\u00e9, kte\u0159\u00ed ho bij\u00ed a fackuj\u00ed, v\u0161echny tv\u00e1\u0159e, kter\u00e9 vystoupily ze tmy, v\u0161echny ty tv\u00e1\u0159e velice dob\u0159e znal, nesly\u0161ely v\u0161ak na sv\u00e1 jm\u00e9na.<\/p>\n<p><strong>\u2192\u00a0Evokace<\/strong><\/p>\n<p>Tedy rozum\u011bjme spr\u00e1vn\u011b: jm\u00e9no ozna\u010duje to, co m\u00e1 vyvol(\u00e1v)at a ono t\u00edmto aktem takt\u00e9\u017e povst\u00e1v\u00e1 z nebyt\u00ed. Neznaly ho, nepozn\u00e1valy ho. Nov\u011b p\u0159ibyv\u0161\u00ed do temnot nen\u00ed v\u00edtan\u00fd host.<\/p>\n<p style=\"padding-left: 40px;\">\u00bbTo jsem j\u00e1, p\u0159esta\u0148te, copak nev\u00edte, \u017ee jsem se mezi v\u00e1mi narodil?\u00ab<\/p>\n<p>\u017de toti\u017e poch\u00e1z\u00edm ze stejn\u00e9 temnoty (hlubiny), kter\u00e1 n\u00e1s vyplivla jako nakonec velryba Jon\u00e1\u0161e?<\/p>\n<p>V p\u0159\u00ed\u0161t\u00edch dnech je skoro v\u0161echny znovu potkal, jmenovali se ale u\u017e jinak. Za\u010dal je toti\u017e pozn\u00e1vat pod jejich \u00bbprav\u00fdmi\u00ab jm\u00e9ny.<\/p>\n<p>Probudit se vy\u017eaduje\u00a0<em>chodit mimo<\/em>, a zak\u00e1zan\u00fdmi cesti\u010dkami, nesm\u00ed v\u00e1s odradit ani plamenn\u00fd me\u010d, jej\u017e t\u0159\u00edm\u00e1 cherub\u00edn na stran\u011b v\u00fdchodn\u00ed \u2013 to jest toti\u017e, kudy se v(y)ch\u00e1z\u00ed \u2013 ost\u0159\u00edhaj\u00edc\u00ed, by nikdo nemohl ke stromu \u017eivota \u2013, nesm\u00ed v\u00e1s odradit ani spole\u010dnost\u00ed dohodnut\u00e9 symboly zakazuj\u00edc\u00ed p\u0159echod na druhou stranu, za hrani\u010dn\u00ed k\u00e1men.<\/p>\n<p><strong>\u2192\u00a0Etymologick\u00fd v\u00fdklad jm\u00e9na \u201eLemuel\u201c<\/strong><\/p>\n<p>Lemuel je \u201eten, kter\u00fd n\u00e1le\u017e\u00ed Bohu.\u201c A tak je i tento\u00a0<em>mimojdouc\u00ed\u00a0<\/em>p\u0159es z\u00e1vory a z\u00e1kazy vjezdu poslem Bo\u017e\u00edm, jeho\u017e s\u00e1m B\u016fh zkou\u0161\u00ed a nach\u00e1z\u00ed v tom zal\u00edben\u00ed, aby jej pak nechal p\u0159ij\u00edt k sob\u011b pr\u00e1v\u011b skrze obecn\u00edho bl\u00e1zna (atu 0.), kter\u00fd ho na voze (atu VII.) vyveze dal\u0161\u00ed\u00a0<em>mimojdouc\u00ed<\/em>\u00a0cestou do zem\u011b p\u0159ed z\u00e1vorou.<\/p>\n<figure id=\"attachment_4711\" class=\"wp-caption alignright\" aria-describedby=\"caption-attachment-4711\"><a class=\"td-modal-image\" href=\"https:\/\/www.okultura.cz\/WordPress\/wp-content\/uploads\/P%C5%99%C3%ADpad-pro-za%C4%8D%C3%ADnaj%C3%ADc%C3%ADho-kata-Slavnost.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-4711 td-animation-stack-type1-2\" title=\"P\u0159\u00edpad pro za\u010d\u00ednaj\u00edc\u00edho kata (Slavnost)\" src=\"https:\/\/www.okultura.cz\/WordPress\/wp-content\/uploads\/P%C5%99%C3%ADpad-pro-za%C4%8D%C3%ADnaj%C3%ADc%C3%ADho-kata-Slavnost.jpg\" sizes=\"auto, (max-width: 332px) 100vw, 332px\" srcset=\"https:\/\/www.okultura.cz\/WordPress\/wp-content\/uploads\/P\u0159\u00edpad-pro-za\u010d\u00ednaj\u00edc\u00edho-kata-Slavnost.jpg 415w, https:\/\/www.okultura.cz\/WordPress\/wp-content\/uploads\/P\u0159\u00edpad-pro-za\u010d\u00ednaj\u00edc\u00edho-kata-Slavnost-300x226.jpg 300w, https:\/\/www.okultura.cz\/WordPress\/wp-content\/uploads\/P\u0159\u00edpad-pro-za\u010d\u00ednaj\u00edc\u00edho-kata-Slavnost-80x60.jpg 80w\" alt=\"\" width=\"332\" height=\"250\" \/><\/a><figcaption id=\"caption-attachment-4711\" class=\"wp-caption-text\">P\u0159\u00edpad pro za\u010d\u00ednaj\u00edc\u00edho kata (Slavnost)<\/figcaption><\/figure>\n<p><strong>\u2192\u00a0Znovunabyt\u00ed rukou a zraku<\/strong><\/p>\n<p>K\u00e1jovi narostly nov\u00e9 ruce a znovu vid\u00ed. Ano, j\u00e1 jsem samoz\u0159ejm\u011b v\u011bd\u011bl, \u017ee jeden z n\u00e1s dvou je mrtev a ten druh\u00fd \u017eiv. V \u010dem v\u0161ak spo\u010d\u00edv\u00e1 onen rozd\u00edl, nebyl schopen jaksi ur\u010dit. \u010cetli jste n\u011bkdy o lidech, kte\u0159\u00ed ve\u010der ulehli a r\u00e1no se probudili \u0161\u00edlen\u00ed? Sly\u0161eli jste u\u017e n\u011bkdy o snech, v nich\u017e m\u016f\u017ee sho\u0159et i ten nejchladn\u011bj\u0161\u00ed rozum?<br \/>\nDok\u00e1\u017eeme pojmenov\u00e1vat sv\u00e9 v\u011bdom\u00e9 \u010diny v re\u00e1ln\u00e9m sv\u011bt\u011b, a dok\u00e1\u017eeme pojmenovat i d\u011bje, je\u017e se n\u00e1m odehr\u00e1vaj\u00ed ve snu. Ale jejich k\u0159\u00ed\u017eov\u00fd p\u0159enos z jednoho sv\u011bta do druh\u00e9ho je (t\u00e9m\u011b\u0159) nemo\u017en\u00fd. Jak by pak vypadal sv\u011bt jednotlivce, jemu\u017e by se do cesty denn\u00edho sv\u011btla postavil sv\u011bt\u00a0poh\u00e1dkov\u00fd\u00a0a v onom nokturn\u00e1ln\u00edm, snov\u00e9m, by se vedle drak\u016f proh\u00e1n\u011bla auta a trysk\u00e1\u010de?<\/p>\n<p>Naho\u0159e na p\u016fd\u011b se objevuj\u00ed voj\u00e1ci, kte\u0159\u00ed Lemuela hon\u00ed. St\u0159elba do n\u011bj je v\u0161ak ne\u00fa\u010dinn\u00e1, tyto kulky byly ulity pro docela jin\u00e1 t\u011bla.<br \/>\nP\u00e1dem se dostal nakonec do zav\u0159en\u00fdch dve\u0159\u00ed. Vypr\u00e1v\u00ed profesorovi, \u017ee se mu zd\u00e1lo, \u017ee z\u016fstal na cel\u00e9m sv\u011bt\u011b \u00fapln\u011b s\u00e1m a \u017ee potkal oble\u010den\u00e9ho mrtv\u00e9ho zaj\u00edce. To je \u00fapln\u011b vyd\u011blen\u00ed se ze sv\u011bta, v n\u011bm\u017e u\u017e nenach\u00e1z\u00ed \u017e\u00e1dn\u00e9 ukotven\u00ed, pad\u00e1 vzh\u016fru \u2013 do nebesk\u00e9ho. Mysl\u00ed si, \u017ee zaj\u00edce zabil on s\u00e1m.<\/p>\n<p><strong>\u2192\u00a0Mytologick\u00e9 pozad\u00ed t\u00fdkaj\u00edc\u00ed se zaj\u00edce<\/strong><\/p>\n<p>Zaj\u00edc je symbolick\u00e9 m\u011bs\u00ed\u010dn\u00ed zv\u00ed\u0159e, pon\u011bvad\u017e ve dne sp\u00ed a v noci bd\u00ed. D\u011bl\u00e1 v\u0161echno naopak, tak jako zrcadlo, nebo m\u011bs\u00edc v\u016f\u010di slunci. V \u0159eck\u00e9, egyptsk\u00e9 a \u010d\u00ednsk\u00e9 symbolizuje nap\u0159\u00edklad \u0161t\u011bst\u00ed, plynouc\u00ed \u010das (viz jeho kapesn\u00ed hodinky a odkaz k nim na konci p\u0159\u00edb\u011bhu), kr\u00e1tkost \u017eivota, tajemstv\u00ed smrti i zmrtv\u00fdchvst\u00e1n\u00ed, a u Azt\u00e9k\u016f dokonce symbolizoval i stvo\u0159itele. Zaj\u00edc je ozna\u010dov\u00e1n za atribut zmrtv\u00fdchvst\u00e1n\u00ed, proto\u017ee podle lidov\u00e9ho pod\u00e1n\u00ed nesp\u00ed \u2013 nem\u00e1 toti\u017e o\u010dn\u00ed v\u00ed\u010dka, a tak se zd\u00e1, \u017ee i ve span\u00ed obrac\u00ed o\u010di vzh\u016fru (k nebi).<\/p>\n<p>V Bibli je zaj\u00edc ozna\u010dov\u00e1n jako stvo\u0159en\u00ed \u201emali\u010dk\u00e9 na Zemi a moud\u0159ej\u0161\u00ed nad mudrce\u201c a symbolizuje zde chud\u00e9, skromn\u00e9 a pokorn\u00e9. V Byzanci byl zaj\u00edc ve zv\u00ed\u0159ec\u00ed symbolice p\u0159\u00edmo znakem Krista. Obecn\u011b se k n\u011bmu ale k\u0159es\u0165anstv\u00ed stav\u00ed s jist\u00fdm odstupem kv\u016fli jeho u\u017e\u00edv\u00e1n\u00ed jako symbolu smyslnosti a pro p\u0159\u00edslove\u010dnou zaje\u010d\u00ed plodnost. Zaj\u00edc proto b\u00fdval ob\u010das zn\u00e1zor\u0148ov\u00e1n v b\u00edl\u00e9 barv\u011b u nohou Panny Marie, co\u017e m\u011blo symbolizovat v\u00edt\u011bzstv\u00ed \u010distoty nad t\u011blesn\u00fdm poku\u0161en\u00edm, kter\u00e9 o sob\u011b d\u00e1valo nejv\u00edce v\u011bd\u011bt pr\u00e1v\u011b na ja\u0159e.<\/p>\n<p>V dne\u0161n\u00ed roz\u0161\u00ed\u0159en\u00e9 evropsk\u00e9 tradici je zaj\u00ed\u010dek ozna\u010dov\u00e1n za toho, kdo o Velikonoc\u00edch p\u0159in\u00e1\u0161\u00ed vaj\u00ed\u010dka. Podle jednoho v\u00fdkladu vzniklo toto spojen\u00ed z toho d\u016fvodu, \u017ee zaj\u00edc na ja\u0159e hled\u00e1 v bl\u00edzkosti lidsk\u00fdch obydl\u00ed potravu a jeliko\u017e je plach\u00fd a lid\u00ed se stran\u00ed, je mu p\u0159isuzov\u00e1no tajn\u00e9 rozn\u00e1\u0161en\u00ed velikono\u010dn\u00edch vajec. Podle druh\u00e9ho v\u00fdkladu vzniklo spojen\u00ed velikono\u010dn\u00edho zaj\u00edce s vaj\u00ed\u010dkem ze zvyku, kdy se do chleba upe\u010den\u00e9ho ve form\u011b zaj\u00edce polo\u017eilo velikono\u010dn\u00ed vejce, \u010d\u00edm\u017e se sdru\u017eily tyto dva symboly. Proto \u010dasem vznikla p\u0159edstava, \u017ee vaj\u00ed\u010dka sn\u00e1\u0161\u00ed nebo p\u0159in\u00e1\u0161\u00ed s\u00e1m zaj\u00edc. V d\u016fsledku tohoto sm\u00fd\u0161len\u00ed b\u00fdvalo tak\u00e9 zvykem, \u017ee dosp\u011bl\u00ed zvali d\u011bti k tzv. hon\u011bn\u00ed velikono\u010dn\u00edho zaj\u00edce, tedy ke hled\u00e1n\u00ed ukryt\u00fdch vaj\u00ed\u010dek v zahrad\u011b.<\/p>\n<p><strong>\u2192\u00a0Hloub\u011bji do pasti<\/strong><\/p>\n<p>Kapli\u010dky (jsou planety), kolem nich\u017e vedou cesti\u010dky k na\u0161im po\u0161etil\u00fdm touh\u00e1m.<\/p>\n<p>Kdo jsem a co o sob\u011b nev\u00edm? Komu st\u00e1lo za to vybudovat tenhle d\u016fm a trp\u011bliv\u011b \u010dekat, a\u017e se v n\u011bm chytnu (do on\u00e9 pasti)?<\/p>\n<p>Do akademie je p\u0159iveden dv\u011bma nohsledy, jedn\u00edm kulhav\u00fdm (odkaz na H\u00e9faista?), v\u0161ichni mu nazna\u010duj\u00ed, \u017ee m\u00e1 ml\u010det \u2013 s \u00fasm\u011bvem, le\u010d rezolutn\u011b.<\/p>\n<p>Laputu dr\u017e\u00ed ve vzduchu spole\u010dn\u00e1 v\u016fle p\u0159edk\u016f.<\/p>\n<p>N\u00e1dra\u017e\u00ed je m\u00edsto, odkud nikam nic nikdy nejezd\u00ed. Tam potk\u00e1v\u00e1 B\u00e1sn\u00edka, jen\u017e se mu sv\u011b\u0159uje (a je to z\u00e1rove\u0148 v\u00fdpov\u011b\u010f o n\u011bm samotn\u00e9m):\u00a0<em>V\u0161echno se d\u011bje n\u011bkde jinde<\/em>.<\/p>\n<p>P\u0159izn\u00e1n\u00ed, \u017ee \u017eivot mu unik\u00e1 pod rukama.<\/p>\n<p>P\u0159\u00e1tel\u00e9 ho zavezli k \u00fast\u00ed tunelu, je v\u0161ak zatarasen\u00fd mikrobusem a p\u0159ed n\u00edm vartuje hl\u00eddka \u2013 nikdo nesm\u00ed pry\u010d, dokud d\u00edlo nebude dokon\u00e1no.<\/p>\n<p>Ochr\u00e1nci stud\u00e1nek se cht\u011bj\u00ed dostat zp\u011bt do sv\u00fdch domov\u016f \u2013 jakoby v\u0161ak nev\u011bd\u011bli, kde se nach\u00e1zej\u00ed oni a kde je jejich domov. N\u011bjak\u00fd mlad\u00edk je bezd\u016fvodn\u011b zast\u0159elen. Rychl\u00e1 ob\u011b\u0165 horliv\u00fdch ochr\u00e1nc\u016f stud\u00e1nek, kte\u0159\u00ed tyto sp\u00ed\u0161e (tak\u00e9) masakruj\u00ed.<\/p>\n<p>Gulliver je opou\u0161t\u00ed (navzdory nevoli jejich v\u016fdce, kter\u00fd chce po n\u011bm dokonce st\u0159\u00edlet) kv\u016fli Mark\u00e9t\u011b, za n\u00ed\u017e ut\u00edk\u00e1 \u2013 sv\u00e9mu snu \u0159\u00edk\u00e1: \u201eJ\u00e1 v\u00e1s zn\u00e1m, j\u00e1 v\u00e1s ur\u010dit\u011b zn\u00e1m!\u201c<\/p>\n<p>Je to n\u011bco bolestn\u011b zn\u00e1m\u00e9ho, co n\u00e1m ut\u00edk\u00e1 pod prsty. Vyb\u00edh\u00e1 za n\u00edm obecn\u00ed blb Vysko\u010d s nal\u00e9hav\u00fdm poselstv\u00edm:<\/p>\n<p style=\"padding-left: 40px;\">\u201ePane! Po\u010dkejte pane! J\u00e1\u2026, j\u00e1 v\u00e1m n\u011bco \u0159eknu! J\u00e1\u2026 jsem \u2026 vid\u011bl nebe.<br \/>\nBylo to nebe, j\u00e1 ho vid\u011bl! Sly\u0161\u00edte to ticho? Kam to jdete? Tam nic nen\u00ed! Vid\u00edte ten strom, tak za t\u00edm stromem u\u017e nic nen\u00ed. Co je tam?\u201c<br \/>\n\u201eLouka.\u201c<br \/>\n\u201eA za tou loukou?\u201c<br \/>\n\u201eLes.\u201c<br \/>\n\u201eA za t\u00edm lesem?\u201c<br \/>\n\u201eD\u016fm.\u201c<\/p>\n<p>A p\u0159ejde do jin\u00e9ho sv\u011bta balnibarbsk\u00e9ho.<\/p>\n<figure id=\"attachment_4717\" class=\"wp-caption alignright\" aria-describedby=\"caption-attachment-4717\"><a class=\"td-modal-image\" href=\"https:\/\/www.okultura.cz\/WordPress\/wp-content\/uploads\/P%C5%99%C3%ADpad-pro-za%C4%8D%C3%ADnaj%C3%ADc%C3%ADho-kata-Z%C3%A1pletka.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-4717 td-animation-stack-type1-2\" title=\"P\u0159\u00edpad pro za\u010d\u00ednaj\u00edc\u00edho kata (Z\u00e1pletka)\" src=\"https:\/\/www.okultura.cz\/WordPress\/wp-content\/uploads\/P%C5%99%C3%ADpad-pro-za%C4%8D%C3%ADnaj%C3%ADc%C3%ADho-kata-Z%C3%A1pletka.jpg\" sizes=\"auto, (max-width: 332px) 100vw, 332px\" srcset=\"https:\/\/www.okultura.cz\/WordPress\/wp-content\/uploads\/P\u0159\u00edpad-pro-za\u010d\u00ednaj\u00edc\u00edho-kata-Z\u00e1pletka.jpg 415w, https:\/\/www.okultura.cz\/WordPress\/wp-content\/uploads\/P\u0159\u00edpad-pro-za\u010d\u00ednaj\u00edc\u00edho-kata-Z\u00e1pletka-300x203.jpg 300w\" alt=\"\" width=\"332\" height=\"225\" \/><\/a><figcaption id=\"caption-attachment-4717\" class=\"wp-caption-text\">P\u0159\u00edpad pro za\u010d\u00ednaj\u00edc\u00edho kata (Z\u00e1pletka)<\/figcaption><\/figure>\n<p><strong>\u2192\u00a0Cesta do Laputy<\/strong><\/p>\n<p>Pak je op\u011bt (u\u017e podruh\u00e9) z postele n\u011bjak\u00e9 \u010dernovl\u00e1sky (ani\u017e by tu\u0161il, jak se do n\u00ed dostal) odvezen jakousi boj\u016fvkou pry\u010d. P\u0159est\u00e1v\u00e1 v\u0161emu rozum\u011bt. Oh\u00e1n\u00ed se tvrzen\u00edm, \u017ee je\u00a0<em>cizinec<\/em>.<\/p>\n<p>T\u00e9ma\u00a0<em>nezn\u00e1m\u00e9ho cizince<\/em>\u00a0p\u0159ich\u00e1zej\u00edc\u00edho bo\u0159it zaveden\u00e9 (srv. moment exogamie p\u0159i o\u017eivov\u00e1n\u00ed krve dynastick\u00fdch lini\u00ed\u00a0<em>in<\/em>\u00a0Frazer:\u00a0<em>Zlat\u00e1 ratolest<\/em>).<\/p>\n<p>Albert Camus:\u00a0<em>Cizinec<\/em>.\u00a0Prvopo\u010d\u00e1tky\u00a0<em>Cizince<\/em>\u00a0sahaj\u00ed dle Camusov\u00fdch\u00a0<em>Z\u00e1pisn\u00edk\u016f<\/em>\u00a0a\u017e k dubnu 1937, kdy si Camus poznamenal:<\/p>\n<p style=\"padding-left: 40px;\">\u201eP\u0159\u00edb\u011bh \u2013 \u010dlov\u011bk, kter\u00fd se nechce ospravedlnit. P\u0159edstava, kterou si o n\u011bm druz\u00ed d\u011blali, m\u00e1 p\u0159ednost n\u00edm sam\u00fdm. Um\u00edr\u00e1, s\u00e1m s v\u011bdom\u00edm sv\u00e9 pravdy \u2013 Marnost t\u00e9to \u00fat\u011bchy.\u201c<\/p>\n<p>\u010ci o \u010dty\u0159i m\u011bs\u00edce pozd\u011bji:<\/p>\n<p style=\"padding-left: 40px;\">\u201eMu\u017e, kter\u00fd hledal \u017eivot v tom, do \u010deho b\u00fdv\u00e1 vkl\u00e1d\u00e1n (s\u0148atek, postaven\u00ed, atd.), a kter\u00fd zni\u010deho nic zjist\u00ed p\u0159i \u010dten\u00ed m\u00f3dn\u00edho katalogu, nakolik je sv\u00e9mu \u017eivotu (\u017eivot, jak je poj\u00edm\u00e1m v m\u00f3dn\u00edch kataloz\u00edch) ciz\u00ed.\u201c<\/p>\n<p>A zapomenout bychom nem\u011bli ani na drobn\u00e9 d\u00edlko z tohoto rodu, je\u017e p\u0159edch\u00e1z\u00ed celou vlnu existencialismu, <em>Egidius a cizinec\u00a0<\/em>(1899)\u00a0<a href=\"http:\/\/nl.wikipedia.org\/wiki\/Willem_Gerard_van_Nouhuys\" target=\"_blank\" rel=\"noopener\">Willema Gerarda van Nouhuyse<\/a>.<\/p>\n<p><strong>\u2192\u00a0Balnibarbsk\u00e1 tma<\/strong><\/p>\n<p>Z nebe se spou\u0161t\u00ed lano a jal\u016fvka je zdvi\u017eena do nebes.<\/p>\n<p>P\u0159i p\u0159\u00edchodu na Laputu se rozpadne d\u0159ev\u011bn\u00fd strop V\u011b\u017ee, kterou se tam vch\u00e1z\u00ed. Nejd\u0159\u00edve je vyzv\u00e1n, aby se vr\u00e1til, pak se situace obr\u00e1t\u00ed a on se postupn\u011b dozv\u00edd\u00e1, \u017ee Kr\u00e1l se na Laput\u011b ji\u017e nezdr\u017euje, tak\u017ee kr\u00e1lovstv\u00ed je bez kr\u00e1le. Opou\u0161t\u00ed i princeznu Nik\u00e9.<\/p>\n<p>Odtamtud se vrac\u00ed op\u011bt zp\u011bt a pros\u00ed ho, aby to dole v Balnibarb\u011b ne\u0159\u00edkal. Nikoho tam dole neznaj\u00ed, seznamuje Gulliver guvern\u00e9ra a prozrad\u00ed, \u017ee jejich kr\u00e1l u\u017e tam d\u00e1vno ne\u017eije. T\u00edm se z Laputy stane cosi jako vzd\u00e1len\u00e9 nepochopiteln\u00e9 m\u00edsto. Nakonec se jej guvern\u00e9r i se svoj\u00ed sekret\u00e1\u0159kou pokus\u00ed zab\u00edt. \u017d\u00e1dn\u00e1 dohoda nen\u00ed mo\u017en\u00e1.<\/p>\n<p>Nic se tam (na Laput\u011b) ned\u011bje, nic tam nem\u00e1 smysl. Profanace t\u00e9to pravdy jej stoj\u00ed facku z davu. Omlouv\u00e1 se, zprvu nesm\u011ble, nakonec rozho\u0159\u010den\u011b. Cesta\u00a0<em>n\u011bkam jinam<\/em>\u00a0za\u010d\u00edn\u00e1 s obecn\u00edm blbem, kter\u00fd ho odvezl tunelem z balnibarbsk\u00e9 zem\u011b.<\/p>\n<p>Jak se zm\u011bnil Lemuel Gulliver? P\u0159i\u0161el s\u00e1m a odch\u00e1z\u00ed s p\u0159\u00edv\u011b\u0161kem (\u010di snad dokonce titulem), je doprov\u00e1zen obecn\u00edm blbem. Tento blb nen\u00ed nikdo jin\u00fd ne\u017e\u00a0<em>Hlup\u00e1\u010dek<\/em>; ten, kter\u00fd v\u00edt\u011bz\u00ed nad nespravedlnost\u00ed, zlem, dok\u00e1\u017ee si naklonit kouzeln\u00e1 zv\u00ed\u0159\u00e1tka, z\u00edsk\u00e1v\u00e1 nev\u011bstu, poklady, kr\u00e1lovstv\u00ed\u2026<\/p>\n<p>K on\u011bm kapesn\u00edm hodink\u00e1m zaj\u00edce Oskara se v\u00e1\u017eou i z\u00e1v\u011bre\u010dn\u00e1 Lemuelova slova v tomto filmov\u00e9m p\u0159\u00edb\u011bhu:<\/p>\n<p style=\"padding-left: 40px;\">\u201eObecn\u00ed blb sly\u0161el na jm\u00e9no Vysko\u010d a vyvezl m\u011b z balnibarbsk\u00e9 zem\u011b. Tehdy se stalo, \u017ee jsem znovu upadl do rozpak\u016f a obr\u00e1til se na onoho blba. \u201aPoslouchej, Vysko\u010d, jdou ty hodinky pozp\u00e1tku, nebo se mi to jenom zd\u00e1?\u2018 Ale on nam\u00edtl: \u201aCo po\u0159\u00e1d m\u00e1te, pros\u00edm v\u00e1s? Copak v\u00e1m nesta\u010d\u00ed, \u017ee je sly\u0161\u00edte tikat?\u2018\u201c<\/p>\n<p>J\u00edt vp\u0159ed \u010di vzad znamen\u00e1 \u010dir\u00e9 nic.<\/p>\n<p style=\"text-align: center;\">*<\/p>\n<p><small><a href=\"#_ftnref1\" name=\"_ftn1\">[1]<\/a> <em><a href=\"http:\/\/www.csfd.cz\/film\/4915-pripad-pro-zacinajiciho-kata\/\" target=\"_blank\" rel=\"noopener\">P\u0159\u00edpad pro za\u010d\u00ednaj\u00edc\u00edho kata<\/a>.<\/em>\u00a0Re\u017eie: Pavel Jur\u00e1\u010dek, \u010ceskoslovensko 1969.<br \/>\n<\/small><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Pavel Jur\u00e1\u010dek Tenhle v\u00fdrazn\u00fd p\u0159edstavitel \u010desk\u00e9 nov\u00e9 vlny 60. let se narodil 2. srpna 1935 v P\u0159\u00edbrami&#8230;.<\/p>\n","protected":false},"author":1,"featured_media":595,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[812],"tags":[],"class_list":["post-3682","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-http-www-horus-cz-wproclamatio-category-jamu-ii-2023-2024","wpcat-812-id"],"_links":{"self":[{"href":"http:\/\/www.horus.cz\/WProclamatio\/wp-json\/wp\/v2\/posts\/3682","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.horus.cz\/WProclamatio\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.horus.cz\/WProclamatio\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.horus.cz\/WProclamatio\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.horus.cz\/WProclamatio\/wp-json\/wp\/v2\/comments?post=3682"}],"version-history":[{"count":6,"href":"http:\/\/www.horus.cz\/WProclamatio\/wp-json\/wp\/v2\/posts\/3682\/revisions"}],"predecessor-version":[{"id":3703,"href":"http:\/\/www.horus.cz\/WProclamatio\/wp-json\/wp\/v2\/posts\/3682\/revisions\/3703"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.horus.cz\/WProclamatio\/wp-json\/wp\/v2\/media\/595"}],"wp:attachment":[{"href":"http:\/\/www.horus.cz\/WProclamatio\/wp-json\/wp\/v2\/media?parent=3682"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.horus.cz\/WProclamatio\/wp-json\/wp\/v2\/categories?post=3682"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.horus.cz\/WProclamatio\/wp-json\/wp\/v2\/tags?post=3682"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}