{"id":1550,"date":"2015-06-20T16:11:17","date_gmt":"2015-06-20T14:11:17","guid":{"rendered":"http:\/\/www.horus.cz\/WProclamatio\/?p=1550"},"modified":"2015-06-20T19:04:59","modified_gmt":"2015-06-20T17:04:59","slug":"doporucena-literatura-4","status":"publish","type":"post","link":"http:\/\/www.horus.cz\/WProclamatio\/doporucena-literatura-4\/","title":{"rendered":"Doporu\u010den\u00e1 literatura"},"content":{"rendered":"<div class=\"mainDetails book-wrap\">\n<div class=\"itemImage book-image-block\">\n<div class=\"book-img-wrap\"><img decoding=\"async\" src=\"http:\/\/d4rri9bdfuube.cloudfront.net\/assets\/images\/book\/large\/9780\/2520\/9780252014482.jpg\" alt=\"American Horrors: Essays on the Modern American Horror Film\" \/><\/div>\n<\/div>\n<div class=\"book-info-block\">\n<div class=\"itemHeading book-heading\">\n<h1 class=\"here\">American Horrors: Essays on the Modern American Horror Film<\/h1>\n<p><span class=\"author\">Edited by <a href=\"http:\/\/www.bookdepository.com\/author\/Gregory-Waller\">Gregory A. Waller<\/a><\/span><\/p>\n<\/div>\n<p><strong class=\"currencyType\">Publisher:<\/strong> <a href=\"http:\/\/www.bookdepository.com\/publishers\/University-Illinois-Press\">University of Illinois Press<\/a><\/p>\n<\/div>\n<\/div>\n<div class=\"description\">\n<ul>\n<li><strong>Format:<\/strong>Paperback | 248 pages<\/li>\n<li><strong>Dimensions:<\/strong> 150mm x 226mm x 20mm | 295g<\/li>\n<li><strong>Publication date:<\/strong> 1 April 1988<\/li>\n<li><strong>Publication City\/Country:<\/strong> Baltimore<\/li>\n<li><strong>ISBN 10:<\/strong> 0252014480<\/li>\n<li><strong>ISBN 13:<\/strong> 9780252014482<\/li>\n<li><strong>Illustrations note:<\/strong> Illustrations<\/li>\n<\/ul>\n<div class=\"longDescription\">\n<p class=\"\">Since the release of &#8222;Rosemary&#8217;s Baby&#8220; in 1968, the American horror film has become one of the most diverse, commercially successful, widely discussed, and culturally significant film genres. Drawing on a wide range of critical methods &#8211; from close textual readings and structuralist genre criticism to psychoanalytical, feminist, and ideological analyses &#8211; the authors examine individual films, directors, and subgenres.In this collection of twelve essays, Gregory Waller balances detailed studies of both popular films (&#8222;Night of the Living Dead&#8220;, &#8222;The Exorcist&#8220;, and &#8222;Halloween&#8220;) and particularly problematic films (&#8222;Don&#8217;t Look Now&#8220; and &#8222;Eyes of Laura Mars&#8220;) with discussions of such central thematic preoccupations as the genre&#8217;s representation of violence and female victims, its reflexivity and playfulness, and its ongoing redefinition of the monstrous and the normal. In addition, &#8222;American Horrors&#8220; includes a filmography of movies and telefilms and an annotated bibliography of books and articles about horror since 1968.<\/p>\n<hr \/>\n<\/div>\n<\/div>\n<div class=\"mainDetails book-wrap\">\n<div class=\"itemImage book-image-block\">\n<div class=\"book-img-wrap\"><img decoding=\"async\" src=\"http:\/\/d4rri9bdfuube.cloudfront.net\/assets\/images\/book\/large\/9781\/8424\/9781842432181.jpg\" alt=\"Horror Films\" \/><\/div>\n<\/div>\n<div class=\"book-info-block\">\n<div class=\"itemHeading book-heading\">\n<h1 class=\"here\">Horror Films<\/h1>\n<p><span class=\"author\">By (author) <a href=\"http:\/\/www.bookdepository.com\/author\/Colin-Odell\">Colin Odell<\/a>, By (author) <a href=\"http:\/\/www.bookdepository.com\/author\/Michelle-LeBlanc\">Michelle LeBlanc<\/a><\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"description\">\n<ul class=\"biblio\">\n<li><strong>Publisher:<\/strong><a href=\"http:\/\/www.bookdepository.com\/publishers\/Kamera-Books\">Kamera Books<\/a><\/li>\n<li><strong>Format:<\/strong>Paperback | 160 pages<\/li>\n<li><strong>Dimensions:<\/strong> 138mm x 190mm x 20mm | 422g<\/li>\n<li><strong>Publication date:<\/strong> 1 June 2008<\/li>\n<li><strong>Publication City\/Country:<\/strong> Harpenden<\/li>\n<li><strong>ISBN 10:<\/strong> 1842432184<\/li>\n<li><strong>ISBN 13:<\/strong> 9781842432181<\/li>\n<li><strong>Illustrations note:<\/strong> Mixed media DVD free DVD<\/li>\n<\/ul>\n<div class=\"longDescription\">\n<p class=\"\">Often subject to more cuts at the hands of the censor than a serial killer&#8217;s razor, the horror film has a fascinating history, not only as film study but also as a look at what has been considered acceptable for the public to view, and what the state will allow its citizens to see.But for the most part horror films are about entertainment&#8211;consistently profitable, eminently enjoyable. From horror cinema&#8217;s beginnings in the late 19th century to the latest splatter films, from the chills of the ghost film to the terror of the living dead, there is more than enough here to keep fans awake at night. Among the many films discussed are the popular &#8222;Dracula,&#8220; &#8222;Evil Dead,&#8220; &#8222;Frankenstein,&#8220; &#8222;Halloween,&#8220; &#8222;Ringu,&#8220; &#8222;Scream,&#8220; and &#8222;The Sixth Sense,&#8220; as well as the more unusual &#8222;Black Cat,&#8220; &#8222;The Living Dead Girl,&#8220; &#8222;Nang Nak,&#8220; &#8222;Rouge,&#8220; and &#8222;Les Yeux sans Visage.&#8220; The guide also profiles such popular directors as Dario Argento, John Carpenter, Wes Craven, David Cronenberg, Hideo Nakata, and Sam Raimi; as well as cult directors from around the world, including Coffin Joe, Jean Rollin, and Michele Soavi.<\/p>\n<hr \/>\n<\/div>\n<\/div>\n<div class=\"book-img-wrap\"><\/div>\n<div class=\"description\">\n<div class=\"longDescription\">\n<div class=\"mainDetails book-wrap\">\n<div class=\"itemImage book-image-block\">\n<div class=\"book-img-wrap\"><\/div>\n<div class=\"book-img-wrap\"><img decoding=\"async\" src=\"http:\/\/d4rri9bdfuube.cloudfront.net\/assets\/images\/book\/large\/9780\/7486\/9780748624751.jpg\" alt=\"Introduction to Japanese Horror Film\" \/><\/div>\n<\/div>\n<div class=\"book-info-block\">\n<div class=\"itemHeading book-heading\">\n<h1 class=\"here\">Introduction to Japanese Horror Film<\/h1>\n<p><span class=\"author\">By (author) <a href=\"http:\/\/www.bookdepository.com\/author\/Colette-Balmain\">Colette Balmain<\/a><\/span><\/p>\n<\/div>\n<p><strong class=\"currencyType\">Publisher:<\/strong><a href=\"http:\/\/www.bookdepository.com\/publishers\/EDINBURGH-UNIVERSITY-PRESS\">EDINBURGH UNIVERSITY PRESS<\/a><\/p>\n<\/div>\n<\/div>\n<div class=\"description\">\n<ul class=\"biblio\">\n<li><strong>Format:<\/strong>Paperback | 232 pages<\/li>\n<li><strong>Dimensions:<\/strong> 154mm x 232mm x 16mm | 322g<\/li>\n<li><strong>Publication date:<\/strong> 1 February 2009<\/li>\n<li><strong>Publication City\/Country:<\/strong> Edinburgh<\/li>\n<li><strong>ISBN 10:<\/strong> 0748624759<\/li>\n<li><strong>ISBN 13:<\/strong> 9780748624751<\/li>\n<li><strong>Illustrations note:<\/strong> 9 black &amp; white illustrations<\/li>\n<\/ul>\n<div class=\"longDescription\">\n<p class=\"\">This book is a major historical and cultural overview of an increasingly popular genre. Starting with the cultural phenomenon of Godzilla, it explores the evolution of Japanese horror from the 1950s through to contemporary classics of Japanese horror cinema such as Ringu and Ju-On: The Grudge. Divided thematically, the book explores key motifs such as the vengeful virgin, the demonic child, the doomed lovers and the supernatural serial killer, situating them within traditional Japanese mythology and folk-tales. The book also considers the aesthetics of the Japanese horror film, and the mechanisms through which horror is expressed at a visceral level through the use of setting, lighting, music and mise-en-scene. It concludes by considering the impact of Japanese horror on contemporary American cinema by examining the remakes of Ringu, Dark Water and Ju-On: The Grudge. The emphasis is on accessibility, and whilst the book is primarily marketed towards film and media students, it will also be of interest to anyone interested in Japanese horror film, cultural mythology and folk-tales, cinematic aesthetics and film theory.<\/p>\n<p class=\"\">Key Features:<\/p>\n<p class=\"\">*Covers classics of Japanese horror film such as Pitfall, Tales of Ugetsu, Kwaidan, Onibaba, Hellish Love and Empire of Desire alongside less well-known cult films such as Pulse, St John&#8217;s Wort, Infection and Living Hell: A Japanese Chainsaw Massacre.<\/p>\n<p class=\"\">*Includes analysis of the relationship between cultural mythology and the horror film. *Explores the evolution of the erotic ghost story in the 1960s and 1970s.<\/p>\n<p class=\"\">*Examines the contemporary relationship between Japanese horror film and American horror.<\/p>\n<p class=\"\">*Contains 9 B&amp;W film stills.<\/p>\n<hr \/>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<table>\n<tbody>\n<tr>\n<td colspan=\"2\">\n<h1>Posv\u00e1tno<\/h1>\n<h2>Iracionalita v ideji bo\u017estv\u00ed a jej\u00ed pom\u011br k racionalit\u011b<\/h2>\n<\/td>\n<\/tr>\n<tr>\n<td class=\"autor\" colspan=\"2\"><strong><a href=\"https:\/\/cs.wikipedia.org\/wiki\/Rudolf_Otto\" target=\"_blank\">Otto Rudolf<\/a><\/strong><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table>\n<tbody>\n<tr>\n<td class=\"nadpis\"><strong>Nakladatel<\/strong><\/td>\n<td>Vy\u0161ehrad<\/td>\n<\/tr>\n<tr>\n<td class=\"nadpis\"><strong>Edice<\/strong><\/td>\n<td>Reflexe<\/td>\n<\/tr>\n<tr>\n<td class=\"nadpis\"><strong>Rok vyd\u00e1n\u00ed<\/strong><\/td>\n<td>1998<\/td>\n<\/tr>\n<tr>\n<td class=\"nadpis\"><\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td class=\"nadpis\"><strong>EAN<\/strong><\/td>\n<td>9788070212608<\/td>\n<\/tr>\n<tr>\n<td class=\"nadpis\"><strong>ISBN<\/strong><\/td>\n<td>80-7021-260-8<\/td>\n<\/tr>\n<tr>\n<td class=\"nadpis\"><strong>Vazba<\/strong><\/td>\n<td>v\u00e1zan\u00e1<\/td>\n<\/tr>\n<tr>\n<td class=\"nadpis\"><strong>Po\u010det stran<\/strong><\/td>\n<td>160<\/td>\n<\/tr>\n<tr>\n<td class=\"nadpis\"><strong>Rozm\u011br<\/strong><\/td>\n<td>13\u00d720 cm<\/td>\n<\/tr>\n<tr>\n<td class=\"nadpis\"><\/td>\n<td><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table>\n<tbody>\n<tr>\n<td class=\"nadpis\"><\/td>\n<\/tr>\n<tr>\n<td>Klasick\u00e1 studie n\u011bmeck\u00e9ho religionisty a teologa ukazuje z\u00e1klad n\u00e1bo\u017eenstv\u00ed v mimoracion\u00e1ln\u00edm pro\u017eitku posv\u00e1tna, \u201eb\u00e1ze\u0148 bud\u00edc\u00edho a fascinuj\u00edc\u00edho tajemstv\u00ed\u201c.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<hr \/>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>American Horrors: Essays on the Modern American Horror Film Edited by Gregory A. Waller Publisher: University of&#8230;<\/p>\n","protected":false},"author":1,"featured_media":1553,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[457],"tags":[],"class_list":["post-1550","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kreativni-mysleni-20162017","wpcat-457-id"],"_links":{"self":[{"href":"http:\/\/www.horus.cz\/WProclamatio\/wp-json\/wp\/v2\/posts\/1550","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.horus.cz\/WProclamatio\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.horus.cz\/WProclamatio\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.horus.cz\/WProclamatio\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.horus.cz\/WProclamatio\/wp-json\/wp\/v2\/comments?post=1550"}],"version-history":[{"count":0,"href":"http:\/\/www.horus.cz\/WProclamatio\/wp-json\/wp\/v2\/posts\/1550\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.horus.cz\/WProclamatio\/wp-json\/wp\/v2\/media\/1553"}],"wp:attachment":[{"href":"http:\/\/www.horus.cz\/WProclamatio\/wp-json\/wp\/v2\/media?parent=1550"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.horus.cz\/WProclamatio\/wp-json\/wp\/v2\/categories?post=1550"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.horus.cz\/WProclamatio\/wp-json\/wp\/v2\/tags?post=1550"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}