{"id":811,"date":"2022-06-28T13:12:02","date_gmt":"2022-06-28T11:12:02","guid":{"rendered":"http:\/\/www.horus.cz\/WHorus\/?p=811"},"modified":"2025-10-28T13:45:24","modified_gmt":"2025-10-28T11:45:24","slug":"maliri-a-basnici-v-okulture","status":"publish","type":"post","link":"http:\/\/www.horus.cz\/WHorus\/maliri-a-basnici-v-okulture\/","title":{"rendered":"Mal\u00ed\u0159i a b\u00e1sn\u00edci v okultu\u0159e"},"content":{"rendered":"
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Patrik Linhart<\/figcaption><\/figure>\n

Ve sv\u00e9 eseji Spole\u010dn\u00e9 podnik\u00e1n\u00ed mal\u00ed\u0159\u016f a b\u00e1sn\u00edk\u016f<\/em>\u00a0jsem se rozv\u00e1\u0161nil nad vztahy, sympatiemi a spolupracemi, jak\u00e9 kdy mezi v\u00fdtvarn\u00edky a liter\u00e1ty vznikly, vzpl\u00e1ly a prob\u011bhly. Napadlo m\u011b v t\u011bchto \u00favah\u00e1ch pokra\u010dovat a vz\u00edt si ob\u010das ku pomoci osobnost, kter\u00e1 se pohybuje v hrani\u010dn\u00edm p\u00e1smu mezi literaturou a mal\u00ed\u0159stv\u00edm a jej\u00edho\u017e \u00fasudku si v\u00e1\u017e\u00edm. Oslovil jsem proto Martina Mrsko\u0161e.<\/strong><\/p>\n

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Martin Mrsko\u0161 je osobnost, kterou je t\u0159eba p\u0159edstavit, nebo\u0165 je to\u00a0tajn\u00fd pracovn\u00edk<\/em>. Po\u00a0sametov\u00e9 revoluci za\u010dal vyd\u00e1vat Revue HORUS a\u00a0k\u00a0dne\u0161ku vydal patn\u00e1ct kni\u017en\u00edch titul\u016f v\u00a0nakladatelstv\u00ed Horus. Roku 1993 produkoval s\u00a0\u010cTV \u010desk\u00e9 zn\u011bn\u00ed videoartu\u00a0Ra: Pou\u0165 slune\u010dn\u00edho boha: Vize starov\u011bk\u00e9ho Egypta<\/em>. Roku 1994 zalo\u017eil v Brn\u011b s nakladatelem Tom\u00e1\u0161em Jane\u010dkem Esoterick\u00e9 knihkupectv\u00ed ALEMBIQ, roz\u0161\u00ed\u0159en\u00e9 roku 1999 o jeho elektronickou podobu, v roce 2003 bylo kamenn\u00e9 knihkupectv\u00ed uzav\u0159eno a d\u00e1l pokra\u010duje jen stejnojmenn\u00fd e-shop. V letech 1996\u20142015 p\u0159edn\u00e1\u0161el extern\u011b Kreativn\u00ed my\u0161len\u00ed<\/em> na Fakult\u011b v\u00fdtvarn\u00fdch um\u011bn\u00ed VUT v Brn\u011b a v letech 1997 a\u017e 2025 Symboliku<\/em> na Kated\u0159e sc\u00e9nografie JAMU v Brn\u011b.<\/p>\n

V roce 1997 se stal \u010dlenem redak\u010dn\u00ed rady brn\u011bnsk\u00e9ho kulturn\u00edho \u010dasopisu TAMTO<\/em>, pro n\u011bj\u017e krom\u011b \u010dl\u00e1nk\u016f p\u0159ipravil v letech 1997\u20142000 t\u0159i hudebn\u00ed kompilace z v\u00fdznamn\u00fdch zahrani\u010dn\u00edch indie label\u016f. P\u0159isp\u00edval do sborn\u00edk\u016f a \u010dasopis\u016f Tvar, TAMTO, Logos, Prostor, \u017divel, Pandora<\/em> a Analogon<\/em>. P\u0159\u00edle\u017eitostn\u011b uv\u00e1d\u00ed p\u0159\u00e1tel\u016fm vernis\u00e1\u017ee a p\u00ed\u0161e pro n\u011b kni\u017en\u00ed p\u0159edmluvy a doslovy. V roce 2000 vedle hudebn\u00ed distribuce (od roku 1996) zalo\u017eil vlastn\u00ed label HORUS CyclicDaemon, v n\u011bm\u017e na CD doposud vydal 13 alb a kompilac\u00ed r\u016fzn\u00fdch evropsk\u00fdch i z\u00e1mo\u0159sk\u00fdch um\u011blc\u016f. Od roku 2001 provozuje port\u00e1l okultura.cz, zpytuj\u00edc\u00ed \u201emagick\u00e9 aspekty modern\u00edch d\u011bjin a soudob\u00e9ho um\u011bn\u00ed\u201c, kde publikuje \u010dl\u00e1nky, liter\u00e1rn\u00ed i hudebn\u00ed recenze. V roce 2011 p\u0159elo\u017eil a vydal knihu Josepha P. Farrella SS Bratrstvo zvonu<\/em>. Roku 2019 pak vydal knihu\u00a0Mistr Eckhart: K\u00e1z\u00e1n\u00ed<\/em>, na jej\u00edm\u017e p\u0159ekladu se po\u00a0dobu sedmi let spolupod\u00edlel. \u017dije a\u00a0pracuje v\u00a0Brn\u011b.<\/p>\n

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Martine, zalo\u017eil jsi \u2014 a\u00a0st\u00e1le provozuje\u0161 \u2014 internetov\u00fd port\u00e1l Okultura s\u00a0podtitulem\u00a0Eseje o\u00a0magick\u00fdch aspektech modern\u00edch d\u011bjin a\u00a0soudob\u00e9ho um\u011bn\u00ed<\/em>, a\u00a0kdy\u017e \u010dtu tv\u00e9 eseje, je z\u0159ejm\u00e9, \u017ee v\u00a0ohnisku tv\u00fdch z\u00e1jm\u016f je magie, \u017eiv\u00fd proud tv\u00e9ho syntetick\u00e9ho my\u0161len\u00ed s\u00a0sebou strh\u00e1v\u00e1 v\u0161echny druhy um\u011bn\u00ed, a\u00a0to od hochkunstu a\u00a0popkultury po\u00a0tv\u016frce solit\u00e9ry. Kdy\u017e vyzdvihnu tri\u00e1du magie-literatura-mal\u00ed\u0159stv\u00ed, co se odehraje v\u00a0tv\u00e9m alembiku?<\/strong><\/p>\n

Hlavou mi prolet\u00ed \u0159ada jmen osobnost\u00ed, \u010dasto polozapomenut\u00fdch, kter\u00e9 se v\u00a0tomto triumvir\u00e1tu pohybovaly \u2014 Jos\u00e9phin P\u00e9ladan a\u00a0jeho um\u011bleck\u00fd salon R\u016f\u017ee a\u00a0K\u0159\u00ed\u017ee, Hilma af Klint, August Br\u00f6mse, Rudolf Steiner, C. G. Jung. Ale jsou to i\u00a0hudebn\u00ed skupiny, jejich\u017e dr\u00e1ha zapo\u010dala v\u00a0ran\u00fdch osmdes\u00e1t\u00fdch letech, nap\u0159\u00edklad Coil, Current 93 a\u00a0Nurse with Wound, \u010derpaj\u00edc\u00ed jak z\u00a0magick\u00e9 fyziky Aleistera Crowleyho, tak i\u00a0z\u00a0p\u0159\u00edtomn\u00fdch apokalyptick\u00fdch n\u00e1lad, a\u00a0to je opravdu jen huben\u00fd v\u00fdsek v\u0161ech protagonist\u016f na okulturn\u00ed sc\u00e9n\u011b\u2026<\/p>\n

Je\u0161t\u011b ne\u017e ti polo\u017e\u00edm tu fat\u00e1ln\u00ed ot\u00e1zku, pokud na ni v\u016fbec dojde, zastavme se na chv\u00edli u\u00a0P\u00e9ladanova liter\u00e1rn\u011b-v\u00fdtvarn\u00e9ho salonu a\u00a0u\u00a0jm\u00e9na Hilma af Klint, kter\u00e9 jsem, a\u0165 m\u011b B\u016fh nezatrat\u00ed, nikdy nesly\u0161el\u2026<\/strong><\/p>\n

\u010cesk\u00e9mu publiku mohou b\u00fdt zn\u00e1my P\u00e9ladanovy liter\u00e1rn\u00ed pr\u00e1ce jako nap\u0159\u00edklad\u00a0Citov\u00e9 zasv\u011bcen\u00ed<\/em>\u00a0(1903),\u00a0Srdce v\u00a0o\u010distci<\/em>\u00a0(1912),\u00a0Filosofie rozko\u0161e a\u00a0jin\u00e9 essaie<\/em>\u00a0(1913),\u00a0V\u00edt\u011bzstv\u00ed man\u017eelovo<\/em>\u00a0(1920), ale p\u0159edev\u0161\u00edm\u00a0Um\u011bn\u00ed st\u00e1ti se magem<\/em>\u00a0(1920), kter\u00e1 je kvintesenc\u00ed manifestu salonu R\u016f\u017ee a\u00a0K\u0159\u00ed\u017ee. V\u00a0\u010dervenci se v\u00a0nakladatelstv\u00ed Theion Publishing chyst\u00e1 k\u00a0vyd\u00e1n\u00ed prvn\u00ed kniha ze \u010dty\u0159d\u00edln\u00e9ho opusu s\u00a0n\u00e1zvem\u00a0Son of Prometheus: The Life and Work of Jos\u00e9phin P\u00e9ladan<\/em>, zab\u00fdvaj\u00edc\u00ed se jeho \u017eivotem, jej\u017e Sasha Chaitow ve sv\u00e9 studii \u2014 kterou ocenil i Christopher McIntosh \u2014 podrobn\u011b mapuje v kontextu s histori\u00ed z\u00e1padn\u00edho esotericismu a jeho inicia\u010dn\u00edho u\u010den\u00ed, jako\u017e i filosofi\u00ed esotern\u00ed moci um\u011bn\u00ed. Jeho v\u011brn\u00fdm \u017e\u00e1kem byl mimo jin\u00e9 Stanislas de Guaita, jen\u017e se s Papusem stali spoluzakladateli Katolicko-estetick\u00e9ho \u0159\u00e1du R\u016f\u017ee a K\u0159\u00ed\u017ee a gr\u00e1lov\u00e9ho chr\u00e1mu.<\/p>\n

Hilma af Klint byla p\u0159edch\u016fdkyn\u00ed surrealismu \u2014 experimentovala s\u00a0automatick\u00fdm psan\u00edm a\u00a0kresbou \u2014 a\u00a0pr\u016fkopnic\u00ed abstraktn\u00edho um\u011bn\u00ed. Jej\u00ed obrazy se mnohdy podobaj\u00ed diagram\u016fm a\u00a0jsou vizu\u00e1ln\u00ed prezentac\u00ed slo\u017eit\u00fdch duchovn\u00edch my\u0161lenek, nebo\u0165 stejn\u011b jako \u0159ada jej\u00edch sou\u010dasn\u00edk\u016f byla i\u00a0ona ovlivn\u011bna soudob\u00fdmi duchovn\u00edmi proudy \u2014 spiritismem, teosofi\u00ed a\u00a0pozd\u011bji i\u00a0antroposofi\u00ed. V\u011b\u0159ila, \u017ee malov\u00e1n\u00edm se napojuje na vy\u0161\u0161\u00ed v\u011bdom\u00ed, je\u017e skrze ni sd\u011bluje poselstv\u00ed, a\u00a0zkoumala tak r\u016fzn\u00e9 rozm\u011bry lidsk\u00e9 existence. Obrazy malovala pod vlivem neviditeln\u00e9 s\u00edly, kter\u00e1 vedla jej\u00ed ruku, ani\u017e by p\u0159edem tu\u0161ila, co budou zobrazovat, a\u00a0vznikaly p\u0159\u00edmo, bez p\u0159edb\u011b\u017en\u00fdch kreseb, vizualizac\u00ed vnit\u0159n\u00edch proces\u016f a\u00a0pro\u017eitk\u016f a\u00a0jejich co nejkonkr\u00e9tn\u011bj\u0161\u00edm a\u00a0nejp\u0159esn\u011bj\u0161\u00edm popisem, \u010d\u00edm\u017e dosahovala vysoce osobit\u00e9ho v\u00fdrazu. D\u00edla inspirovan\u00e1 teosofick\u00fdm okultismem b\u011bhem \u017eivota vystavovala jen v\u00fdjime\u010dn\u011b a\u00a0v\u00a0z\u00e1v\u011bti po\u017eadovala, aby byla vystavena nejd\u0159\u00edve dvacet let po\u00a0jej\u00ed smrti.<\/p>\n

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Hilma af Klint: Autoportr\u00e9t<\/figcaption><\/figure>\n

Z tohoto soudku se na Okultu\u0159e p\u0159irozen\u011b nejv\u00edc v\u011bnuje\u0161 m\u00e1g\u016fm-um\u011blc\u016fm, jako jsou Austin Osman Spare nebo Aleister Crowley.\u00a0<\/strong><\/p>\n

To je sp\u00ed\u0161e historie let osmdes\u00e1t\u00fdch a\u00a0devades\u00e1t\u00fdch, pak n\u00e1sledoval posun k\u00a0dal\u0161\u00edm zjev\u016fm okulturn\u00ed sc\u00e9ny a\u00a0toto objevov\u00e1n\u00ed pokra\u010duje i\u00a0nad\u00e1le. I\u00a0nad\u00e1le se sna\u017e\u00edm objevovat nezn\u00e1m\u00e9 po\u010diny. Z\u00a0posledn\u00ed doby to je Richard Sharpe Shaver a\u00a0jeho \u201ep\u0159edpotopn\u00ed\u201c um\u011bn\u00ed.<\/p>\n

P\u0159ed p\u00e1r lety jsi k\u00a0n\u00e1m p\u0159ijel p\u0159itlouct li\u0161tu na chodb\u011b a\u00a0p\u0159ekl\u00e1dat Arthura Machena. Tehdy jsi mi v\u011bnoval reprodukci Johna Coultharta.<\/strong><\/p>\n

Vid\u00ed\u0161, pamatuji si jen to p\u0159ekl\u00e1d\u00e1n\u00ed, nikoliv ty ostatn\u00ed \u00fakony, kter\u00e9 mi dnes ji\u017e p\u0159ipadaj\u00ed nesm\u00edrn\u011b fantaskn\u00ed\u2026 M\u011bl jsem tehdy pocit, \u017ee t\u011b sv\u00fdm p\u0159\u00edstupem k\u00a0p\u0159ekladu sp\u00ed\u0161e unavuji\u2026<\/p>\n

Jsi zkr\u00e1tka jen pe\u010dliv\u00fd. Ale te\u010f pros\u00edm pe\u010dliv\u011b odpov\u011bz, jak vid\u00ed\u0161 d\u00edlo Johna Coultharta, je to ten kongeni\u00e1ln\u00ed ilustr\u00e1tor steampunku a\u00a0klasick\u00e9ho hororu?<\/strong><\/p>\n

S\u00a0Johnem n\u00e1s poj\u00ed dlouhodob\u00e9 p\u0159\u00e1telstv\u00ed a\u00a0spolupr\u00e1ce. Poprv\u00e9 jsem ho po\u017e\u00e1dal o\u00a0n\u00e1vrh pro 2CD kompilaci ke st\u00e9mu v\u00fdro\u010d\u00ed seps\u00e1n\u00ed\u00a0Liber AL vel Legis<\/em>, kterou Crowleymu nadiktoval v\u00a0K\u00e1hi\u0159e Aiwass. Postupem \u010dasu jsem seznal, \u017ee m\u00e1 hlubok\u00fd z\u00e1jem o\u00a0design, ilustrace a\u00a0v\u00fdtvarn\u00e9 um\u011bn\u00ed v\u016fbec, zejm\u00e9na m\u00e1-li co do \u010din\u011bn\u00ed s\u00a0okultnem, hororem, komiksy \u2014 spolupr\u00e1ce s\u00a0Alanem Moorem, dekadenc\u00ed, seces\u00ed, expresionismem, navrhuje obaly LP a\u00a0CD zn\u00e1m\u00fdch skupin \u2014 Cradle of Filth, Steven Severin, Hawkwind, zn\u00e1 dob\u0159e Meyrinka a\u00a0nadto i\u00a0s\u00e1m p\u00ed\u0161e. Nejv\u011bt\u0161\u00ed dojem v\u0161ak na mne ud\u011blaly jeho ilustrace poj\u00edc\u00ed se s\u00a0m\u00fdtem HPL & Cthulhu. Naposledy jsem ho oslovil ohledn\u011b ob\u00e1lky a\u00a0ilustrac\u00ed pro titul H. P.\u00a0Lovecraft & August Derleth:\u00a0Str\u00e1\u017eci z\u00a0hlubin \u010dasu<\/em>, kter\u00fd jsem pro Volvox Globator redigoval. Byl to vlastn\u011b nult\u00fd svazek Bibliotheca Cthulhiana<\/em>, kter\u00e1 dal\u0161\u00edho pokra\u010dov\u00e1n\u00ed bohu\u017eel nedoznala, t\u0159eba\u017ee se tento titul p\u0159ed ned\u00e1vnem znovu objevil v\u00a0dotisku. John m\u00e1 obludnou p\u0159edstavivost, jakou u\u00a0tohoto t\u00e9matu o\u010dek\u00e1v\u00e1me. Z\u0159ejm\u011b sp\u00e1val s\u00a0Machenov\u00fdmi pov\u00eddkami pod pol\u0161t\u00e1\u0159em.<\/p>\n

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John Coulthart: R\u2019lyeh<\/figcaption><\/figure>\n

Nedok\u00e1\u017eu posoudit, zda je pro adepty magie z\u00e1jem o horor p\u0159\u00edzna\u010dn\u00fd, nebo je to jen fakultativn\u00ed v\u00fdb\u011br na\u0161\u00ed p\u0159irozenosti, ale ve tv\u00e9m p\u0159\u00edpad\u011b je to zjevn\u00e9. V\u00ed\u0161, \u017ee Jean Cocteau obdivoval H. P. Lovecrafta, dokonce namaloval svou vizi velk\u00e9ho Cthulhu a jeho knihu ozna\u010dil v anket\u011b \u00e0 la kniha roku za sv\u00e9ho favorita? To je napohled skoro lautreamontovsk\u00e9 setk\u00e1n\u00ed, nebo ne?<\/strong><\/p>\n

O tom jsem nem\u011bl ani tu\u0161en\u00ed! Tu Cocteauovu vizi bych r\u00e1d vid\u011bl!<\/p>\n

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Jean Cocteau: Pocta Lovecraftovi<\/figcaption><\/figure>\n

A nen\u00ed v\u00a0tom jen to. V\u00a0roce 1954 hlasoval v\u00a0anket\u011b o\u00a0knihu roku pro prvn\u00ed francouzsk\u00fd v\u00fdbor Lovecraftov\u00fdch pov\u00eddek v\u00a0p\u0159ekladu Jacquese Papyho. Nemus\u00edm dod\u00e1vat, \u017ee to byl po\u010din i\u00a0v\u00a0r\u00e1mci tehdej\u0161\u00ed intelektu\u00e1ln\u00ed boh\u00e9my naprosto v\u00fdst\u0159edn\u00ed. A\u00a0jak\u00fd je tv\u016fj vztah k\u00a0hororov\u00e9 literatu\u0159e, zejm\u00e9na k\u00a0weird fiction? A\u00a0kdy\u017e jsme u\u00a0toho \u2014 k\u00a0jejich v\u00fdtvarn\u00edk\u016fm? Jako je t\u0159eba ten Richard Sharpe Shaver. Vid\u00ed\u0161 tam tu symbi\u00f3zu jako v\u00a0\u010dasech p\u0159elomu stolet\u00ed, nebo je to jen \u010dist\u011b komer\u010dn\u00ed relace?<\/strong><\/p>\n

K hororov\u00e9 literatu\u0159e m\u00e1m v\u0159el\u00fd vztah, z\u00a0posledn\u00ed doby mne oslovilo d\u00edlko George MacDonalda\u00a0Lilith<\/em>, d\u00e1le\u00a0\u0160\u0165astn\u00e9 a\u00a0hr\u016fzostra\u0161n\u00e9: Antologie \u0161t\u011bdrove\u010dern\u00edch horor\u016f,<\/em>\u00a0Hellraiser<\/em>\u00a0od Clivea Barkera,\u00a0P\u00edsn\u011b mrtv\u00e9ho snivce<\/em>\u00a0Thomase Ligottiho,\u00a0Smy\u010dka med\u00fazy a\u00a0jin\u00e9 p\u0159\u00edb\u011bhy<\/em>\u00a0a\u00a0Hem\u017eiv\u00fd chaos a\u00a0jin\u00e9 p\u0159\u00edb\u011bhy<\/em>\u00a0od H. P.\u00a0Lovecrafta,\u00a0Tramvaj \u010d.\u00a01852<\/em> od Edwarda Leeho, okultn\u011bj\u0161\u00ed D\u00e1rek<\/em>\u00a0Bo\u017eeny Spr\u00e1vcov\u00e9,\u00a0\u010cern\u00fd k\u00e1men<\/em>\u00a0Roberta Erwina Howarda, tak\u00e9 teoretick\u00e1 pr\u00e1ce Martina Jirou\u0161ka\u00a0\u010cern\u00fd bod: Horor v\u00a0\u010desk\u00fdch zem\u00edch<\/em>, antologie\u00a0\u010cern\u00e1 k\u0159\u00eddla Cthulhu 2<\/em>\u00a0pod veden\u00edm editora S. T. Joshiho,\u00a0Kr\u00e1l ve \u017elut\u00e9m<\/em>\u00a0Roberta W. Chamberse a\u00a0t\u0159ebas i\u00a0Stan\u010d\u00edk\u016fv\u00a0Ml\u00fdn na mumie aneb p\u0159evratn\u00e9 odhalen\u00ed komisa\u0159e Durmana<\/em>. Weird fiction sp\u00ed\u0161e okrajov\u011b, ale rozhodn\u011b mne bav\u00ed rozs\u00e1hl\u00e1 epopej Chiny Mi\u00e9villa kolem Un Lun Dun. A\u00a0k\u00a0tomu\u00a0Hudba Ericha Zanna<\/em>\u00a0z\u00a0Lovecraftova d\u00edla, obl\u00edben\u00e1 kv\u016fli sv\u00e9mu hudebn\u00edmu motivu mezi skladateli a\u00a0skupinami, jim\u017e je studnic\u00ed inspirace, a\u0165 u\u017e jde o\u00a0metal, doom, dark-wave, drone, dark-ambient, ambient, \u010di\u00a0gotick\u00fd rock. A\u00a0je tomu tak proto, \u017ee jak Zannova hudba, tak i\u00a0jeho pokoj jsou na prahu mezi skute\u010dn\u00fdm a\u00a0imagin\u00e1rn\u00edm sv\u011btem.<\/p>\n

Vybavuje se mi seri\u00e1l BBC o\u00a0skute\u010dn\u011b kontroverzn\u00edch aspektech um\u011bn\u00ed. Jeden d\u00edl se v\u011bnoval vztahu avantgardn\u00edch um\u011blc\u016f k\u00a0docela jin\u00fdm my\u0161lenkov\u00fdm sm\u011br\u016fm, ne\u017e jak je to kulturtr\u00e9gry ofici\u00e1ln\u011b vykl\u00e1d\u00e1no, nap\u0159\u00edklad filiace H. P.\u00a0Blavatsk\u00e1 \u2014 Franti\u0161ek Kupka \u2014 Piet Mondrian.<\/strong><\/p>\n

Duchovn\u00ed soub\u011bh Pieta Mondriana a\u00a0Franti\u0161ka Kupky vn\u00edm\u00e1m, ale jest pro mne v\u00a0tomto trigonu obskurn\u00ed postava Blavatsk\u00e9. Sp\u00ed\u0161e mne u\u00a0Mondriana zaujal jeden z\u00a0jeho duchovn\u00edch otc\u016f \u2014 \u00fa\u017easn\u00fd Jan Toorop. Jak jsi ale na tuto filiaci p\u0159i\u0161el?<\/p>\n

V eseji, \u010di\u00a0sp\u00ed\u0161 konfesi Pieta Mondriana, a\u00a0\u010detl jsem ji proto, \u017ee i\u00a0p\u0159es osobn\u00ed odpor k\u00a0abstraktn\u00edmu um\u011bn\u00ed jsem c\u00edtil, \u017ee za t\u00edm avantgardn\u00edm Holan\u010fanem mus\u00ed b\u00fdt n\u011bco v\u00edc. Vztah mezi symbolistou Tooropem a\u00a0Mondrianem je mysl\u00edm t\u00e9m\u011b\u0159 viditeln\u00fd, ale t\u0159eba i\u00a0vztah mezi Gustavem Moreauem a\u00a0Henrim Matissem, p\u0159\u00e1telsk\u00fd vztah u\u010ditele a\u00a0\u017e\u00e1ka a\u00a0sou\u010dasn\u011b na pohled dvou zcela odli\u0161n\u00fdch sv\u011bt\u016f, to je n\u011bco, co se do d\u011bjin um\u011bn\u00ed jaksi nehod\u00ed\u2026 Souvis\u00ed to jist\u011b s\u00a0epochou fin de si\u00e8cle, dekadenc\u00ed, symbolismem, ale a\u0165 u\u017e to nazveme sebel\u00edbezn\u011bji, je to v\u00edr \u2014 v\u00edr, kter\u00fd k\u00a0sob\u011b vztahuje minulost a\u00a0zavazuje si budoucnost, neboli tak\u00e9 doba, kdy si byli v\u00fdtvarn\u00edci a\u00a0liter\u00e1ti nejbl\u00ed\u017e. A\u00a0k\u00a0tomu bych se vr\u00e1til \u2014 vzhledem k\u00a0tomu, \u017ee t\u011b okouzluje um\u011bn\u00ed magick\u00e9, m\u00e1\u0161 za to, \u017ee i\u00a0v\u00a0na\u0161ich \u010dasech a\u00a0v\u00a0dom\u00e9n\u011b kum\u0161tu okulturn\u00edho tento vztah plat\u00ed?<\/strong><\/p>\n

Mysl\u00edm, \u017ee tento vztah za\u010d\u00edn\u00e1 b\u00fdt pomalu rozezn\u00e1v\u00e1n a\u00a0uzn\u00e1v\u00e1n, p\u0159\u00edkladem budi\u017e ji\u017e jmenovan\u00e1 Sasha Chaitow, kter\u00e1 je nejen kunsthistori\u010dkou, ale z\u00e1rove\u0148 i\u00a0um\u011blkyn\u00ed, a\u00a0cel\u00e9 jej\u00ed studium P\u00e9ladana jest t\u0159eba ch\u00e1pat z\u00a0jej\u00ed strany jako inicia\u010dn\u00ed d\u00edlo. To je pr\u016fnik minulosti se sou\u010dasnost\u00ed. V\u00a0sou\u010dasn\u00fdch apokalyptick\u00fdch dob\u00e1ch stoj\u00ed na piedestalu individualismus a\u00a0n\u011bjak\u00e1 tvorba skupinov\u00fdch manifest\u016f je, \u017eel bohu, naivn\u00ed p\u0159edstavou. Pokud n\u011bjak\u00fd takov\u00fd vztah existuje, bude sp\u00ed\u0161e okultn\u00ed, tj.\u00a0skryt\u00e9 povahy. N\u011bkoho na mysli m\u00e1m, le\u010d nechci uv\u00e1d\u011bt tyto protagonisty jmenovit\u011b, abych je neuv\u00e1d\u011bl do rozpak\u016f.<\/p>\n

\"\"<\/a>
Zdzis\u0142aw Beksi\u0144ski: Bestie a jej\u00ed p\u00e1n jdou po tich\u00e9 cest\u011b<\/figcaption><\/figure>\n

A z\u00a0jin\u00e9ho soudku\u2026 Polsko je vlast zakl\u00edna\u010d\u016f. Mal\u00ed\u0159 B\u011bsn\u00edc\u00edho ples\u00e1n\u00ed W\u0142adys\u0142aw\u00a0Ansgary\u00a0Podkowi\u0144ski, Kar\u00e1skem uzn\u00e1van\u00fd mal\u00ed\u0159 \u017een-vamp\u016f Wojciech Weiss, sou\u010dasn\u00fd autor osobit\u00fdch horor\u016f Jaros\u0142aw Grz\u0119dowicz nebo \u201eproklet\u00fd\u201c mal\u00ed\u0159 Zdzis\u0142aw Beksi\u0144ski. Kdy\u017e jsem ti volal, abych t\u011b vyzval k\u00a0tomuto mil\u00e9mu interview, zm\u00ednil jsi, \u017ee Okultura m\u00e1 sv\u00e9ho duchovn\u00edho otce zrovinka v\u00a0Polsku.\u00a0<\/strong><\/p>\n

Arci, Dariusz Misiuna, kter\u00fd l\u00e9pe ne\u017e j\u00e1 p\u0159ipomene okolnosti na\u0161eho setk\u00e1n\u00ed, na n\u011b\u017e si ji\u017e nevzpom\u00edn\u00e1m, ale byl to on, kdo po\u010d\u00e1tkem 90.\u00a0let zalo\u017eil sv\u00e9 nakladatelstv\u00ed Okultura a\u00a0inspiroval mne jednak k\u00a0zalo\u017een\u00ed stejnojmenn\u00e9ho port\u00e1lu, kter\u00fd za tu dobu prod\u011blal velk\u00fd v\u00fdvoj, ale hlavn\u011b jsem za\u010dal vn\u00edmat magick\u00fd sv\u011bt kolem n\u00e1s v\u00a0daleko \u0161ir\u0161\u00edch souvislostech, co\u017e se projevilo naplno je\u0161t\u011b v\u00a0posledn\u00edm sborn\u00edku\u00a0Revue HORUS \u2014 Thel\u00e9msk\u00e9 texty pro Nov\u00fd Aeon 1995 e. v.<\/em>, do n\u011bho\u017e jsem prom\u00edtl sv\u00e9 nadchnut\u00ed pro tehdy za\u010d\u00ednaj\u00edc\u00ed \u010dasopis\u00a0The Fenris Wolf<\/em>\u00a0Carla Abrahamssona. D\u00edky knize\u00a0Chaosmos.pl: Polska sztuka ezoteryczna XXI wieku<\/em>, kterou vydal, jsem se sezn\u00e1mil s\u00a0celou plej\u00e1dou polsk\u00fdch duchovn\u00edch mal\u00ed\u0159\u016f, o\u00a0n\u011bkter\u00fdch jsem nem\u011bl ani tu\u0161en\u00ed, jde o\u00a0p\u011bknou \u0159\u00e1dku: Erwin S\u00f3wka, Henryk Waniek, Andrzej Urbanowicz, Anna Maria Bauer, Marek Przyby\u0142a, R. Ryszard Szczerbowski, Gra\u017cyna Kaczmarek, Tomasz Bockowski, Linas Domarackas, Marcin Owczarek, Mateusz Niedba\u0142, Micha\u0142 Pisera, Maciej Nabia\u0142ek, Rafa\u0142 Kosela, Marcin S. Jaszczyk, Monika Cichocka, Mateusz Siemion, Arkadiusz Danovski, Ma\u0142gorzata Borowska, Karol Kazimierski a\u00a0Joanna John. A\u00a0aby \u0161lo o\u00a0opravdov\u00fd\u00a0Gesamskunstwerk,<\/em>\u00a0doprovodilo knihu i\u00a0CD s\u00a0polsk\u00fdmi hudebn\u00edmi akty, jako je HATI, SigiLL, Magic Carpathians Collective, Benicewicz, Komora A, Job Karma, Zenial, Za Si\u00f3dm\u0105 G\u00f3r\u0105, Kia Karma, Christblood, Aum Xi, Thaw, MKKA \/ Verbalizer, Nihilista.<\/p>\n

Je to cel\u00fd skryt\u00fd sv\u011btad\u00edl\u2026 Tvoje internetov\u00e1 Okultura st\u00e1le preluduje. P\u0159edstavuji si, jak kr\u00e1sn\u00e9 by bylo ud\u011blat z\u00a0t\u011bch nejlep\u0161\u00edch esej\u00ed a\u00a0studi\u00ed kni\u017en\u00ed v\u00fdbor a\u00a0vypravit jej s\u00a0p\u0159ekr\u00e1sn\u00fdm v\u00fdtvarn\u00fdm doprovodem<\/strong>\u2026<\/p>\n

No, bude to jen na tob\u011b\u2026<\/p>\n

Tu\u0161il jsem, \u017ee se bude\u0161 vykrucovat. Ale pokud tedy ano, kter\u00e9 \u010desk\u00e9 v\u00fdtvarn\u00edky, minul\u00e9 i\u00a0sou\u010dasn\u00e9, by sis v\u00a0takov\u00e9 \u00fa\u017easn\u00e9 knize p\u0159\u00e1l a\u00a0pro\u010d? Jen na okraj, kdy\u017e jsem p\u0159ed n\u011bkolika lety vid\u011bl ve v\u00edde\u0148sk\u00e9m Leopoldov\u011b muzeu prvn\u00ed p\u0159edstaven\u00ed Leopold Sammlung II., kde Leopold podle sv\u00e9ho shrom\u00e1\u017edil to nejlep\u0161\u00ed ze st\u0159edoevropsk\u00e9ho mal\u00ed\u0159stv\u00ed posledn\u00edch \u010dty\u0159iceti let, nebyl tam \u2014 a\u0165 se nad n\u00e1mi Nebesa smiluj\u00ed \u2014 jedin\u00fd \u010cech.<\/strong><\/p>\n

V\u00a0n\u011bkter\u00fdch ohledech mne zaj\u00edm\u00e1 Ale\u0161 \u010cuma, ale sp\u00ed\u0161e spl\u0148uje moje p\u0159edstavy Petr Kopl, tam je to hodn\u011b \u017ehav\u00e9\u2026 Jeho\u00a0P\u00e9r\u00e1k<\/em>\u00a0\u010di\u00a0Dechberouc\u00ed z\u00e1zrak<\/em>\u00a0jsou skv\u011bl\u00ed!<\/p>\n

\"\"<\/a>
De Es Schwertberger: Nebesk\u00e9 sv\u011btlo<\/figcaption><\/figure>\n

Magick\u00fd sv\u011bt kolem n\u00e1s\u2026 Mysl\u00ed\u0161, \u017ee existuje poezie \u010dern\u00e9 a\u00a0b\u00edl\u00e9 magie nebo takov\u00e9 obrazy, d\u00edla tak vytvo\u0159en\u00e1, ani\u017e by to jejich tv\u016frce pr\u00e1v\u011b tam sm\u011b\u0159oval? Nechci t\u011b n\u011bkam tla\u010dit, kde by ti to nebylo po\u00a0v\u016fli, ale t\u0159eba zrovna ten Beksi\u0144ski. Mysl\u00edm, \u017ee v\u00a0Brn\u011b jsme si o\u00a0n\u011bm pov\u00eddali. On m\u011b trochu stra\u0161\u00ed.<\/strong><\/p>\n

Nev\u011bdom\u00ed jest nejmocn\u011bj\u0161\u00ed \u010dinitel. B\u00e1sn\u00edci a\u00a0imper\u00e1to\u0159i jsou m\u00e1gy p\u0159irozen\u011b, podobn\u011b t\u00e9\u017e virus je ryze magick\u00e9 povahy, jak jsme se mohli za Velk\u00e9 hermetizace p\u0159esv\u011bd\u010dit sami. Va\u0159en\u00ed a\u00a0destilace po\u00a0dva Heliovy cykly n\u00e1s p\u011bkn\u011b macerovaly a\u00a0nej\u010dko v\u016fkol evaporuj\u00ed vskutku bizarn\u00ed a\u00a0pitoreskn\u00ed p\u0159iboudliny. A\u00a0za Hermem p\u0159ima\u0161\u00edrovala s\u00a0jekotem Bellona, tak\u017ee Beksi\u0144sk\u00e9ho duch tu o\u017e\u00edv\u00e1 u\u017e posledn\u00ed t\u0159i roky, a\u00a0kdy\u017e k\u00a0tomu p\u0159id\u00e1\u0161 je\u0161t\u011b vize De Es (Dietera) Schwertbergera, jeho\u017e\u00a0armada<\/em>\u00a0ji\u017e tak\u00e9 p\u0159es n\u00e1s ma\u0161\u00edruje, pak jest Velik\u00e9 D\u00edlo dokon\u00e1no. Bl\u00ed\u017e\u00ed se zavr\u0161en\u00ed.<\/p>\n<\/div>\n

\u2234<\/h4>\n
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\n<\/div>\n<\/div>\n

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Vy\u0161lo 28. 6. 2022
\n\u00a9 2022 H7O \u2014 host 7 dn\u00ed online<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Ve sv\u00e9 eseji Spole\u010dn\u00e9 podnik\u00e1n\u00ed mal\u00ed\u0159\u016f a b\u00e1sn\u00edk\u016f\u00a0jsem se rozv\u00e1\u0161nil nad vztahy, sympatiemi a spolupracemi, jak\u00e9 kdy mezi v\u00fdtvarn\u00edky a liter\u00e1ty vznikly, vzpl\u00e1ly a prob\u011bhly. Napadlo m\u011b v t\u011bchto \u00favah\u00e1ch pokra\u010dovat a vz\u00edt si ob\u010das ku pomoci osobnost, kter\u00e1 se pohybuje v hrani\u010dn\u00edm p\u00e1smu mezi literaturou a mal\u00ed\u0159stv\u00edm a jej\u00edho\u017e \u00fasudku si v\u00e1\u017e\u00edm. Oslovil jsem […]<\/p>\n","protected":false},"author":2,"featured_media":817,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"tdm_status":"","tdm_grid_status":"","footnotes":"","_wp_rev_ctl_limit":""},"categories":[126],"tags":[150,8,189,155,156,170,145,136,23,184,38,177,83,183,143,138,146,88,139,151,153,159,149,18,174,148,154,135,128,173,179,144,141,172,182,178,161,165,176,171,162,167,157,134,163,169,164,186,168,187,140,188,152,127,190,158,166,137,142,175,147,185,160,87,181,180],"class_list":["post-811","post","type-post","status-publish","format-standard","has-post-thumbnail","category-interview","tag-aleister-crowley","tag-ales-cuma","tag-andrzej-urbanowicz","tag-anna-maria-bauer","tag-arkadiusz-danovski","tag-arthur-machen","tag-august-bromse","tag-august-derleth","tag-aum-xi","tag-austin-osman-spare","tag-benicewicz","tag-c-g-jung","tag-christblood","tag-christopher-mcintosh","tag-coil","tag-cradle-of-filth","tag-cthulhu","tag-current-93","tag-dariusz-misiuna","tag-erwin-sowka","tag-grazyna-kaczmarek","tag-gustav-meyrink","tag-h-p-lovecraft","tag-hati","tag-hawkwind","tag-henryk-waniek","tag-hilma-af-klint","tag-host","tag-joanna-john","tag-job-karma","tag-john-coulthart","tag-josephin-peladan","tag-karol-kazimierski","tag-kia-karma","tag-komora-a","tag-linas-domarackas","tag-maciej-nabialek","tag-malgorzata-borowska","tag-marcin-owczarek","tag-marcin-s-jaszczyk","tag-marek-przybyla","tag-martin-mrskos","tag-mateusz-niedbal","tag-mateusz-siemion","tag-michal-pisera","tag-mkka-verbalizer","tag-monika-cichocka","tag-nihilista","tag-nurse-with-wound","tag-okultura-cz","tag-okultura-pl","tag-patrik-linhart","tag-petr-kopl","tag-r-ryszard-szczerbowski","tag-rafal-kosela","tag-rudolf-steiner","tag-sasha-chaitow","tag-sigill","tag-steven-severin","tag-thaw","tag-tomasz-bockowski","tag-volvox-globator","tag-za-siodma-gora","tag-zenial"],"_links":{"self":[{"href":"http:\/\/www.horus.cz\/WHorus\/wp-json\/wp\/v2\/posts\/811","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.horus.cz\/WHorus\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.horus.cz\/WHorus\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.horus.cz\/WHorus\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/www.horus.cz\/WHorus\/wp-json\/wp\/v2\/comments?post=811"}],"version-history":[{"count":10,"href":"http:\/\/www.horus.cz\/WHorus\/wp-json\/wp\/v2\/posts\/811\/revisions"}],"predecessor-version":[{"id":997,"href":"http:\/\/www.horus.cz\/WHorus\/wp-json\/wp\/v2\/posts\/811\/revisions\/997"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.horus.cz\/WHorus\/wp-json\/wp\/v2\/media\/817"}],"wp:attachment":[{"href":"http:\/\/www.horus.cz\/WHorus\/wp-json\/wp\/v2\/media?parent=811"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.horus.cz\/WHorus\/wp-json\/wp\/v2\/categories?post=811"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.horus.cz\/WHorus\/wp-json\/wp\/v2\/tags?post=811"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}